Like you, I probably don't normally correlate Mothersbaugh with many large, orchestral efforts; he simply hasn't had those chances in recent years. With this opportunity, you'll see why he should be used for often for more movies like this since the music is catchy, memorable, and beams with a type of optimism that I welcome.  Indeed, there is a sense of joy about this score that is utterly refreshing to hear.  The main theme, which was actually not the composer's first choice for the movie, serves as the foundation for this madcap trek. And what a theme it is.   I found it to be infectious with its warmth and quite strong when it came to the area of repeat listens; this one will have a long shelf life.

 

Beyond the main theme, Mothersbaugh adds some crafty, electronic touches to represent the unique, retro technology featured in the movie.  There is also a vibrant energy to the action sequences in the score (and in the film).  Also, what I found most surprising about Meatballs was its visual appeal in certain scenes; there is a definite cinematic value to this feature.  Mothersbaugh's score played a strong part in enhancing these moments, a point that cannot be overlooked.  And this brings me to my next point...

 

From its first frame onward, the music was in complete harmony with the film.  This was done without resorting to the fast turns that most modern day animation scores employ.  Instead, this score was fleshed out to beautiful proportions and it's an effort that has instilled an instant appreciation in me for Mark Mothersbaugh's talents. 

 

Well done, Mark...and thank you for the campy tunes.