Duplicity
Composed by James Newton Howard
 
Sound Clips: War | The Formula
 
Running Time: 50:54
About the Soundtrack: James Newton Howard teams up with Director Tony Gilroy on "Duplicity," a humorous tale of espionage and elaborate con games set in corporate America.  Compared to their last project together, "Michael Clayton," this one is a delightful stroll in the park!  With that, there is great color and charm in Howard's score, which spans 22 tracks and features a blend of orchestral and electronic instruments working harmoniously well together.   One would be hard pressed not to appreciate the friendly energy of this effort.
 
What You Need to Know:  I must say, it's so refreshing to hear James Newton Howard take on a project that isn't as grave or ominous as some of his recent, more serious films.  With the music of Duplicity, I almost get the sense that James had refreshed himself while writing the music for this gem, and while as a listener, I received it as a tonic!  This score came along at just the right moment in time.
 
Simply put, Duplicity is a score that translates to a fun time.  One can't resist the hip, easy motifs that this soundtrack has to offer.  Think about the scores from the "Ocean's 11" movies but only with a JNH twist, and in a nutshell, you'll have a sense of what Duplicity is all about.  From the very first track on, the listener is introduced to the playful tone of the score and it remains constant throughout.  When the quirky notes dim a bit, there is a nicely constructed underscore that keeps things moving ahead.  You see, no matter how silly or fun this soundtrack is, there is also an element of professionalism behind it that makes it a genuine and relevant film score.
 
As this effort relates to the composer, it has indeed been a while since James has offered a score that isn't bound by dark, dramatic undercurrents (e.g. Dark Knight, The Happening, Defiance).  With Duplicity, and recently "Confessions of a Shopaholic," the lighter side of the composer has once again re-emerged. 
 
I would say this is his best effort since "The Lady in the Water" and one that, I think, will invigorate the composer as he approaches the rest of 2009. 

Final Score: In a movie that features characters that plot and con one another, there is nothing duplicitous about the score; it's a straight-on display of whimsical gusto that fans of the composer will welcome with open arms.